kinship, installation view, 22/11/24 – 11/01/25
kinship, installation view, 22/11/24 – 11/01/25
kinship, installation view, 22/11/24 – 11/01/25
kinship, installation view, 22/11/24 – 11/01/25
kinship, installation view, 22/11/24 – 11/01/25
kinship, installation view, 22/11/24 – 11/01/25
kinship, installation view, 22/11/24 – 11/01/25
kinship, installation view, 22/11/24 – 11/01/25
kinship, installation view, 22/11/24 – 11/01/25
Left: Kasper Bosmans Pressed Flowers, 2021 Marble and pressed flowers 34.5×34.5x14cm each. Upper right: Emile Rubino According to the Microwave, 2017-2023 Silver gelatin print on aluminium welded aluminiumframe,20x21x2cm Edition of 1.
kinship, installation view, 22/11/24 – 11/01/25
kinship, installation view, 22/11/24 – 11/01/25
Left: Emile Rubino, Pierrot, 2022-2023 inkjet print mounted on dibond, wood frame, glass 24 × 42 cm. Right: Ryan Cullen, Der Sympathische Imperialist, 2023 Oil on canvas, 145 x 118 cm.
kinship, installation view, 22/11/24 – 11/01/25.
Luc Tuymans, Monkeys, 2020 6 acrylic ink on polyester tracing paper 57.5 x 107.5 cm each.
kinship, installation view, 22/11/24 – 11/01/25
Left to right: Edith Dekyndt, Eastern Tickle 01, Edith Dekyndt, Eastern Tickle 01, Edith Dekyndt, Underground (Boostraat 04) 3D print on driftwood, 2024 3D print on driftwood, 2024, Cotton on frame, 2023 26x17x11,5cm 20x13x10cm 30x24cm.
Edith Dekyndt, MAKRO, 2023 Video HD, Edition 5 of 5 12:09 min.
Emile Rubino, Pierrot, 2022-2023 inkjet print mounted on dibond, wood frame, glass 24 × 42 cm
Emile Rubino, Musca Depicta, 2022-2023 inkjet print mounted on dibond, wood frame, glass 24×42cm
Erika Verzutti, White Night, 2024 Oil on bronze, 56 x 45 cm Unique
Detail of Sorry, 2024
Guillaume Bijl, Sorry, 2024 Readymades, pedestals, vitrine, 170 x 39 x 39 cm
Isa Genzken, Untitled (After Andrea della Robbia), 2007, plaster and lacquer paint, w, 60 x 40 x 10 cm
Leon Kahane, WB’86, 2017 15 black and white analog c-prints, 36×24 cm (detail of 3 from the series)
Paul Kolling, Nadir 1250.564::4433.819, 2024 4 m long 35 mm film section from the exhibition “Nadir” at Kunstverein München both:200x2cm
Rosemarie Trockel, Kangaroo admiring the jaws of a beauty,1983 Newspaper, metal, painted, wire 5 x 33 x 22.5 cm
Rosemarie Trockel, Kangaroo admiring the jaws of a beauty,1983 Newspaper, metal, painted, wire 5 x 33 x 22.5 cm
Left to right: Sâadane Afif, George Grosz’s “The Robbers (Die Räuber)”, Plate 2, 2022, 71 x 48.5 cm (framed), Sâadane Afif, George Grosz’s “The Robbers (Die Räuber), Plate 1, 2022, 71 x 48.5 cm (framed), Sâadane Afif, George Grosz’s “The Robbers (Die Räuber), Plate 3, 2022, 71 x 48.5 cm (framed), Sâadane Afif, George Grosz’s “The Robbers (Die Räuber), Plate 7, 2022, 71 x 48.5 cm (framed)
Yalda Afsah, Untitled, 2024 photographic print on Hahnemühle Photo Rag Baryta 30 x 28 cm
Zuza Golińska, Piercer, 2018 Steel, 3.5 x 3.5 x 3.5 cm, Unique
Sarah Pucci, Untitled, circa 1980s Beads, sequins, pins, foam, tissue paper 17 x 17 x 10 cm
Sâadane Afif, Is it possible that you have no coal left?, 2023 Facsimile of the original letter 59.4 x 42 cm
Detail of Is it possible that you have no coal left?, 2023
Kasper Bosmans, Legend: Pressed Flowers, 2022 Gouache and silver point on poplar panel, 28 x 21 cm
Shaun Motsi, Strings , 2022
Shaun Motsi, Strings , 2022
Shaun Motsi, Strings , 2022
Marcel Odenbach, Congo Nouveau Vietnam, 2024 Collage and drawing,190 x 138 cm